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Introduction to the University of the Future

Peter Hübner’s Cosmic Educational Program

Peter Hübner
Developer of the University of the Future

Peter Hübner
Open letter to the President of the Justus-Liebig-State-University Giessen, Germany

ARCHIVE

MEDICINE

THEORETICAL FUNDAMENTALS

Nature’s Laws of
Harmony in the
Microcosm of Music

MUSIC + BRAIN
Part 1   •   Part 2

Chronomedicine

Music as a Harmonic
Medical Data Carrier

The Special Status of the
Ear in the Organism

The Ear as a
Medical Instrument

The Significance of the
Soul to Medicine

The Significance of
our Consciousness
to Medicine

The Significance of the
Soul to Human Evolution

The Future of Pharmaceutics

SCIENTIFIC RESEARCH
REPORTS

The American Institute
of Stress

World Health
Organization (WHO)

Republic of Belarus

Stress + Heart Disease

The Unborn Child

Special Care Baby Unit

Harmonic Therapy

The Benefits of
Harmonic Information

Social Medical Significance

Headaches & Migraine

Harmonic Information
as a Modern Medication

Intensive Care Unit

MRT Music / Function

Chernobyl

SCIENTIFIC RESEARCH

Medical Research –
Clinical Observations

MEDICAL RESONANCE THERAPY MUSIC

Medical Music Preparations on CD

STORE





Peter Hübner – Nature’s Laws of Harmony in the Microcosm of Music





Diagram from the publication of
Prof. Dr. med. Gunther Hildebrandt
“The Centre of the
Rhythmical System –
Chronobiological Aspects of
Music Physiology”

Our ear is natu­rally equip­ped to grasp the mi­cro­cosm of mu­sic; re­cent re­search has proven that our or­gan of hear­ing is bio­logi­cally struc­tured in such a way that it par­ticu­larly con­siders the natu­ral laws of har­mony of the mi­cro­cosm of mu­sic, and that it fil­ters out dis­so­nance as far as pos­si­ble from all pene­trat­ing acous­tic oc­cur­rences.

At the same time, when let­ting sounds through, our bio­logi­cal ear pre­fers that natu­ral hi­er­ar­chy of sounds, which we find in the mi­cro­cosm of mu­sic – con­trary to those ar­ti­fi­cial equal sounds, which we find with twelve-tone mu­sic – that un­natu­ral con­cept of tone “Gleichschaltung”.

Our bio­logi­cal ear there­fore rec­og­nises and pre­fers tones which re­late to each other in a natu­rally or­dered fam­ily re­la­tion­ship – as we also find them in natu­ral fam­ily re­la­tion­ships be­tween us hu­mans, where, for in­stance, the fa­ther has more natu­ral au­thor­ity than the grand­chil­dren, the mother more than the daugh­ter re­quired to attend school.

At the same time, in the mi­cro­cosm of mu­sic, all in­ner fine tones form a kind of clan, a fam­ily re­lated com­mu­nity, in which the lead­ing roles change in the course of the struc­tural evo­lu­tion of the tone or sound.

As our eye can see out­side move­ments in an in­te­grated way, so our hear­ing can also ba­si­cally dis­cern the many form de­vel­op­ments of each in­di­vid­ual tone, and at the same time, ex­tract its pos­si­ble in­ner natu­ral en­ergy of life, in­tel­li­gence of life and har­mony.

It is pos­si­ble and ad­vis­able in to­day’s sci­en­tific tech­ni­cal time torn by nu­mer­ous eco­logi­cal crises that we take up again the works of the bril­liant phy­si­cian and mathe­ma­ti­cian Pythagoras, as well as of our great clas­si­cal sound crea­tors, and con­tinue the re­search and de­vel­op­ments of these great schol­ars of the natu­ral life by vir­tue of our mu­si­cal crea­tive in­tui­tion, and with the help of mod­ern elec­tronic and digi­tal tech­nolo­gies.

Let me end with a his­tori­cal ret­ro­spec­tive view which should con­trib­ute in ex­plain­ing the back­ground of Medi­cal Reso­nance Ther­apy Mu­sic®.


From the pioneering times of the Micro Music Laboratories®



The Historical Background of
Medical Resonance Therapy Music®


The his­tory of Medi­cal Reso­nance Ther­apy Mu­sic® is an­cient – it be­gins at a time when art, re­lig­ion, and medi­cine still formed a unity.

That is why the old­est works of art or reli­gious and phi­loso­phi­cal writ­ings of man­kind re­port of the ef­fect of a kind of mu­sic which forms the soul, puts so­cial life in or­der, and heals man ho­lis­ti­cally.

Even prior to the be­gin­ning of our mod­ern cal­en­dar, in the sixth cen­tury BC, es­pe­cially the fa­mous phy­si­cian, mathe­ma­ti­cian, phi­loso­pher, mu­si­colo­gist and mu­si­cian re­spec­tively, Pythagoras, whom I have al­ready men­tioned sev­eral times, sup­ported the ap­pli­ca­tion of a kind of mu­sic which was struc­tured ac­cord­ing to the laws of har­mony of the mi­cro­cosm of mu­sic, and was to have a bene­fi­cial ef­fect on the life of the in­di­vid­ual in health as well as in har­mony with na­ture.

And the way in which this bril­liant scholar ap­proached this matter, fi­nally made him the foun­der of our sci­en­tific era.

At the time of Pythagoras, mu­sic had the very con­scious task of de­vel­op­ing man ethi­cally. All char­ac­ter­is­tics of this art were con­cen­trated on the ob­jec­tive to natu­rally put the in­ner life of the in­di­vid­ual hu­man be­ing in or­der, and to cul­ti­vate his soul to live with the crea­tor and his crea­tion in natu­ral har­mony – and in this way to also have a healthy in­ner self.



Hymns of the Sun – First Movement
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