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Introduction to the University of the Future

Peter Hübner’s Cosmic Educational Program

Peter Hübner
Developer of the University of the Future

Peter Hübner
Open letter to the President of the Justus-Liebig-State-University Giessen, Germany

ARCHIVE

MEDICINE

THEORETICAL FUNDAMENTALS

Nature’s Laws of
Harmony in the
Microcosm of Music

MUSIC + BRAIN
Part 1   •   Part 2

Chronomedicine

Music as a Harmonic
Medical Data Carrier

The Special Status of the
Ear in the Organism

The Ear as a
Medical Instrument

The Significance of the
Soul to Medicine

The Significance of
our Consciousness
to Medicine

The Significance of the
Soul to Human Evolution

The Future of Pharmaceutics

SCIENTIFIC RESEARCH
REPORTS

The American Institute
of Stress

World Health
Organization (WHO)

Republic of Belarus

Stress + Heart Disease

The Unborn Child

Special Care Baby Unit

Harmonic Therapy

The Benefits of
Harmonic Information

Social Medical Significance

Headaches & Migraine

Harmonic Information
as a Modern Medication

Intensive Care Unit

MRT Music / Function

Chernobyl

SCIENTIFIC RESEARCH

Medical Research –
Clinical Observations

MEDICAL RESONANCE THERAPY MUSIC

Medical Music Preparations on CD

STORE





Peter Hübner – Nature’s Laws of Harmony in the Microcosm of Music










This elemental internal life of a tone or sound can be most meaningfully de­scribed as ‘the microcosm of music’.

From the first sound impulse, a sound grows in time and space into a complex tonal pattern, like a tree from a seed and at some point in time it decays – like every other thing in creation.

Today, these internally living structural developments of tones and sounds can be rendered visible and audible using special scientific devices.

Thus today it is scientifically and tech­no­logi­cally possible to filter out individual internal tonal developments from a tone or sound and, as such, to examine them.

And if we spatially and temporally lengthen these acoustic expressions, which may themselves last only fractions of a second, then we recognise in each one of them an infinite number of connected movements – each of them a completely individual vari­able tone with its own variable pitch and volume, its own variable rhythm, its own point and time of origin and a completely unique pattern of development – nothing short of a ‘personal journey through life’.

Nevertheless, there are fixed rules in their evolution, like those we also know in the physical, chemical, biological or as­tro­nomi­cal world as ‘natural laws’.

Thus in the complexly constructed internal tonal world of just a single individual tone or sound, we find multifarious, natural ‘social’ relationships between very many fine tones, whereby, time-and-again, new ‘social’ orders gain and then lose the upper-hand: the development of ever newer, more natural, more individual, more integrated social and ecological patterns of order in chaos.

With ‘music’ we best describe first this internal life of tones or sounds, which is an integral part of them and makes their internal developments possible – similar to the way in which our internal life de­ter­mines for each one of us the way through life and, over and above this, the way of our social relationships and ultimately, also the course of the entire ecological development.

Even in one single sound alone – singled out from the twittering of birds – it is possible to discover a gigantic concert of birds, and in a single sound from the human voice one can hear – if one listens carefully – massive choirs, full of sounds and individual songs.

However, the natural abilities of our ‘musical ear’ have been deafened and disabled by the many ecological crises – especially in music too. Therefore it must be our commitment to open up this mi­cro­cosm of music little-by-little and, as lis­ten­ers, to penetrate this never-ending, hid­den world where the elemental nature of the music will be revealed to us. Then we will recognise the eternal laws of harmony of our life.1






The Microcosm of Music – Baritone Solo, Bass Solo, Mixed Choir  Nr. 3
Mediaplayer
 
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