Nowa­days we find spe­cial con­di­tions. Mod­ern sci­en­tific tech­nol­ogy en­ables us to ana­lyse, to pro­duce, and to re­pro­duce mu­si­cal proc­esses very much more pre­cisely than was pos­si­ble in the past.

There­fore in the Mi­cro Mu­sic La­bo­ra­to­ries^® we work on a con­cept of sys­tem­atic in­ves­ti­ga­tion and fo­cused ap­pli­ca­tion of the mi­cro­cosm of mu­sic and the acute en­er­gies it pos­sesses within and – based on the knowl­edge thus gained – on a new meth­od­ol­ogy of clas­si­cal com­po­si­tion.

To­gether with tech­ni­cians and en­gi­neers, we are re­search­ing new crea­tive tech­nolo­gies for sound crea­tion, new re­cording and re­pro­duc­tion tech­niques as well as new com­puter-con­trolled analy­sis and syn­the­sis proc­esses with which we hope to be able to put the ap­pli­ca­tion of mu­sic in the medi­cal field on a sci­en­tifi­cally sound foot­ing.